Venezuela Viva! dance extravaganza comes to UK

UPDATE: Tickets now on sale half price if you book direct from the Red Cross on 020 7877 7115

Incorporating a vibrant fusion of folk music, dance and history, "Venezuela Viva" is one of the most ambitious musical extravaganzas ever produced in Venezuela.

Luckily for us, it will be coming to the London Palladium on October 10th 2011 for a one-off charity event on behalf of the International Fundraising Committee of the British Red Cross.

Created by Carolina Lizarraga and featuring master harpist Carlos Orozco, the show electrified audiences in Edinburgh in 2005 when it played at the Scottish capital's famous annual arts festival.

"The show masquerades as a history lesson, tracing the birth of a nation from Spanish conquest to independence and beyond... but don’t be fooled; it’s one big party!", wrote an excited reviewer in the Guardian.

Anna Millar of The Scotsman newspaper was also bowled over by the show... "this large-scale spectacular celebrates Venezuelan life with gorgeous dancing girls, sensational Caribbean salsa and South American rhythms as 12 dancers and 12 musicians create a dazzling fantasy of flamenco passion and tropical energy."

Hugely ambitious in scope, "Venezuela Viva!" traces the evolution of Venezuelan folk music from its roots in four continents: the Arab culture of the Moors, who ruled most of Spain for nearly 800 years; the rhythms and vocal stylings of the fandanguillo de Malaga, flamenco and cante jondo brought to Venezuela by the Spanish conquistadors; the indigenous music of the native inhabitants of the New World played on flutes and maracas in sacred ceremonies overseen by shamans; and the hip-shaking drum dances of Africa, kept alive on sugar and cocoa plantations by the descendants of slaves.

Now bigger and even more spectacular than the Edinburgh shows, it features 25 dancers from Carolina Lizarraga's dance troupe supported by 10 musicians on stage playing everything from flamenco to modern salsa.

"From 1492 to the present day, the pictures, with voiceover, spin through 19 short scenes, journeying across continents and centuries, charting a history of wars, conquests and discoveries," wrote Lynne Walker in the Independent. "Each stage is portrayed in vivid choreography, danced with equal measures of grace and exuberance... As the show ends, you just want to jump on the next plane to Venezuela."

A UK tour organized by Theatre Productions Limited will follow the London Palladium show, although the dates and venues have yet to be released.

Tickets are on sale from £27.50 for Upper Circle seats, £65 for the Royal Circle and Stalls and £105 for the top priced Royal Circle and Stalls seats.

VIP tickets are also on sale from the Red Cross at £250, including top-price seats, an interval reception and post-show party in the presence of the artists

UPDATE: Tickets now on sale half price if you book direct from the Red Cross on 020 7877 7115

Venue: London Palladium
Date: 10 October 2011
Time: 7:30 p.m.
Tickets: www.seetickets.com or call the British Red Cross 0207-877-7115

Musica llanera: Reynaldo Armas - El Cardenalito

Reynaldo Armas, from the small Llanos town of Guatacaros in Guarico State, is a highly-acclaimed singer and composer of Venezuela's national folk music joropo .

Here we see him at his best singing his theme song El Cardenalito in a concert from 2008 in Bogota.

Popular throughout the country, joropo is also known as musica llanera because of its strong cultural ties to Los Llanos, the seasonally-flooded cattle plains that stretch west from the Orinoco river to Colombia.

Joropo is traditionally played on harp, maracas and cuatro, a small four-stringed guitar, and sung in a rough nasal style by cowboy types in stetsons and pointed boots.

Reynaldo Armas is perhaps Venezuela's best-loved Llanero singer after Simon Diaz and has an incredible line-up of talent in his band, including the extraordinary harpist Leonard Jacome.

Joropo, which developed in the Americas from the zarzuelas and cante jondo brought over by the Spanish, is also a dance, a sort of waltz with jerky cucaracha-stomping steps by the man, known as zapateo, and dizzy twirls by his female partner.

El Cardenalito is a song about the rare bird of the same name (Carduelis cucullata), a Venezuelan finch known as the Red Siskin in English. This beautiful little red songbird is endemic to Falcon State. Sadly, the bright red plumes of the males and their high-pitched musical call make them highly sought after as caged birds and increasingly endangered in the wild.

Reynaldo Armas earned his nickname, El Cardenalito, for his sweet voice, which he alludes to in this autobiographical song that pays homage to his humble Llanero roots. 

Here are the words, so you can sing along with Reynaldo:

Aquí está el cardenalito
el cardenal de los llanos guariqueño
el de la laguna vieja
el propio serenatero
el mismo de quince años
y el cuarto de los recuerdos.
nací en el cincuenta y tres
cuatro de agosto en una noche de invierno
el campo los guatacaros
suelo santamarieño
me recibió una mañana con relámpagos y truenos
camino siempre de frente
jamás he sido embustero
soy bastante religioso
para mi chucho es primero
el que me conoce sabe
si soy malo, si soy bueno
Modesta Enguaima y Nicasio
Nicasio Armas los que al mundo me trajeron
mi madre nos es necesario
decirle cuanto la quiero
mi viejo se me murió
que dios lo tenga en el cielo.

Maestro arpista usted que puede
yo se que puede jáleme duro el bordón
que esta noche estoy dispuesto
a regalarle mi amor
a la mujer mas bonita
que se encuentre en la reunión
y después que me enamore
amigo mío que salga o se meta el sol
me pasare todo el tiempo
derrochando inspiración
como lo hace un guariqueño
cuando entrega el corazón
saque pareja quien quiera
que en mi joropo no hay discriminación
que lo bailen zapateao
repicando ese tacón
que al arpa cuatro y maracas
vamos a rendirle honor
que lo goce y lo disfrute
el sifrinito con la hija del ricachón
la negrita Dorotea
con el zambo Juan Ramón
y hasta la viejita Bety
lo baile con tío Simón.

Esta es la primera vez que yo canto un merecure
que yo canto un merecure
como se canta en Apure
Casorla y Corozo pando
yo voy el llano cruzando
con mi verso y mi corrio
bendito este suelo mío
de belleza singular
bendito el palmarital
el arrendajo y la paraulata cantora
bendita la flor de bora
la flor de bora
que adormece en el estero
bendito sea el toro
de puntiaguda semblanza
bendita la garza blanca
con su vuelo cadencioso
bendito el caballo brioso
pacitrotero y veloz
dame talento mi dios
para cantarle a mi llano
y sentirme soberano
hay soberano
con la hidalguía del valiente
y bendito sea por siempre
por siempre siempre
mi pueblo venezolano

Simon Diaz & Hugo Blanco - El Peine

"El Peine" ("The Comb") is a tongue-in-cheek song by Venezuelan folk singer Simón Díaz from the early days of his career in 1965, just after he'd got his big break singing with harpist and composer Hugo Blanco.

The video shows a young Díaz sitting with a furruco, the special drum used in gaita music from Maracaibo, which is played by rubbing the hands down the stick attached to the drum head.

From the beginning Díaz stood out as a comedian and "El Peine" is no exception, playing on the similarity in sound between the Spanish word for comb and the word for a delicate part of the male anatomy.

Accompanied by a jaunty harp, a four-stringed guitar known as a cuatro and maracas, the verse goes "lend me your comb to play some music and start the party with a barrel of guarapita", referring to the heady cocktail of raw cane alcohol and passion fruit juice called guarapita which is popular along Venezuela's Caribbean coast.

Tio Simón (Uncle Simon), as he is known to his fans, is considered a national treasure in Venezuela and for many years presented a children's show that promoted folk traditions, humour and songs.

Born in 1948 in Barbacoas and baptized Simón Narciso Díaz Márquez, he is famous for his renditions of folk songs known collectively as joropo or música criolla from the area known as Los Llanos, a vast swathe of seasonally-flooded cattle country that stretches from Venezuela into Colombia.

His most famous composition is "Caballo Viejo" - which became a huge international hit for the Franco-Spanish group the Gipsy Kings after they renamed the song "Bamboleo".

He also recorded a very popular version of the country's unofficial anthem "Alma Llanera".

Some of his most famous songs were remixed a few years ago by young electronica artists such as Baylon Motorhome,  who added a lilting ska beat to the song "Angustia". 

Expresion Larense: Golpe Tocuyano

A song in honour of Barquisimeto and El Tocuyo by local group Expresion Larense.

The only expression I know from Lara is "na' guará!", a useful expression that defines the region but defies direct translation.

It can be used in a similar way to Paris Hilton's use of the phrase "Oh my God!", which depending on the context can mean: "Oh my God, that's great" or "Oh my God, that sucks!"

Or it can be used like the phrase "no way!" or "wow!" to indicate disbelief or surprise.

"Na´guará" is so prevalent in Barquisimeto and Lara State that the inhabitants of the region are known as Guaros.

If anybody has a better definition of the indefinable "Na'guará" please leave a comment.

Dancing Devils of Chuao

Every year on the Feast of Corpus Christi, sacred brotherhoods in 14 Venezuelan towns and villages act out a centuries old tradition of devil dancing that was brought to these shores from Spain but which grew to incorporate the slaves' defiance and rejection of being left outside the church during the Sunday mass.

San Francisco de Yare, with its red devils, is the best known of these towns but the famous coastal cacao plantation of Chuao has the most interesting expression of the tradition due to the village's extreme isolation and its preservation of ancient traditions.

A former slave plantation once owned by the family of Simon Bolivar, Chuao is reached only by boat or after a two-day walk across the mountains of the Henri Pittier National Park along the mule track to Maracay, which is still used today to transport the finest cocoa beans grown in Venezuela.

The video shows the devils dancing in front of the church to the rhythm of the drum and later to the cuatro, after they have been blessed by the Catholic priest.

This is just the merest glimpse of a magical experience. In truth, the dancing devils of Chuao deserve an hour long documentary on the BBC.

Click here for an article on the Dancing Devils of Yare in literature

Click here for an article on how the Dancing Devils of Yare came to wear their distinctive red outfits

Chuao: In Search of World's Finest Cocoa Beans

Willie's Wonky Chocolate Factory brings Venezuelan cacao to the UK

New Channel 4 Series: "Raising the Bar: Willie's Chocolate Revolution"

Tambores in Chuao

This is a good introduction to Venezuelan tambores music. The two guys on the ground are playing cumaco drums made from hollowed avocado tree trunks with deer or cowhide skins. Behind them are two other drummers playing on the trunks with hard sticks called "palillos" or "laures" that give the distinctive taca-ta-taca-ta sound that drives the dancing. The singer or cantor is accompanied by a chorus, as is typical with Afro-Caribbean call and response drum music. The male dancers try and get as close as they can to the muchachitas, while the ladies spin away to avoid them. Anybody, male or female, can cut in at any time and take over. Tambores is popular in all the old plantation towns along the coast and harks back to slave days. Chuao is a historic plantation where Venezuela's finest cocoa beans are produced. It is reached by sea from Choroni .

Read the article - Chuao: In Search of World's Finest Cocoa Beans
Read the article - Choroni: Tambores, guarapita and midnight dips