From drumming with its roots in Africa, to Spanish-influenced guitar and harp music and the indigenous contribution of maracas, Venezuelan music is largely unknown outside the country. With a blog based on videos of key groups and individuals I hope this music will reach a wider public and get the attention it deserves. Joropo, calypso, tambores, salsa, cumbia, pop, rock, Latin jazz, electronica - even slushy love songs by soap opera stars - Venezuela has it all.
Wednesday, February 15, 2012
Calypso is king of Venezuela's El Callao carnival
The 2012 Carnival has already kicked off in El Callao with beauty contests and calypso competitions but the big processions start Saturday 18 February - Tuesday 21 February, and end on Ash Wednesday with the start of Lent.
El Callao - A Calypso, Caribbean Carnival in the South of Venezuela
Venezuela is a country of countless parties, fiestas and dances, from individual celebrations of local patron saints to the gaitas and parrandas of Zulia state at Christmas, the Dancing Devils of Yare and Chuao during the Feast of Corpus Christi and the African drum dancing in honour of Saint John the Baptist on 24 June.
One small town that beats them all is El Callao, a centre for gold mining in Bolivar State that comes alive every year for four days during carnival to the vibrant sounds of calypso and soca and the copious consumption of rum, beer and aguardiente (fire water).
With over a 150 years of history, the El Callao carnival celebrates cultural traditions brought to Venezuela by French and English-speaking Caribbeans - including many Trinidadians - drawn to El Callao by a gold rush in 1853 that saw the town become the leading gold producer in the world. Gold production peaked by about 1885 and by the end of the century the big seams were played out and the town slipped back into obscurity.
Nowadays, it's hard to imagine this tiny, ramshackle town of tin roofs and small gold shops was once the source of so much wealth, but during carnival the population of 39,000 swells to four times that number and you get a sense of what the glory days were like.
The carnival in El Callao has a colourful cast of characters who accompany the comparsas (floats with a sound system and a themed crowd of dancers).
Las Madamas are women wearing colourful 19th century dresses and turbans from the French Caribbean.
The Medio Pintos are boys and men covered in tar or paint or any other black sludgy stuff they can get their hands on. The idea is that you give them a coin called a "medio" (1 Bolivar Fuerte will do these days) or they paint you with sludge and comes from the phrase "medio o te pinto".
The Diablos are men and boys in spiky devil masks who keep the crowds back from the comparsas along the carnival route by using their short latigos (whips).
This year the Callao carnival is dedicated to Cleotilde Stapleton de Billings (1911-2009), a singer and famous madama, who did so much to popularize the folk culture and calypso traditions of El Callao with her musical group Yuruari.
The El Callao carnival of 2012 will be celebrated from 18-21 February.
Thursday, March 4, 2010
Venezuelan fiesta in London- 13/03/2010
Vamos a rumbear! The Venezuelan community in England will be congregating at London's Abacus Bar on Saturday, 13 March, for the second big, sweaty fiesta of the year.
With DJ Hernan Atencio spinning the hottest tropical tunes, Ron Santa Teresa providing the rum cocktails and Arepa & Co serving up typical snacks like arepitas and tequeños, Venezuelan partygoers can look forward to a big night out.
The party is being organized by Venenin (Venezolanos en Inglaterra), a social group that caters for Venezuelan expatriates in the UK, and a big crowd is expected.
Doors open at 9 p.m. and hardcore revellers can dance their way thru to 4 a.m. Admission is £7 before 11 p.m. and £10 after.
Abacus Bar is located in the City of London at 24 Cornhill (EC3V 3ND), a short stroll from Bank tube station.
For more information go to http://www.venenin.co.uk or check out the Venenin page on Facebook.
Friday, January 22, 2010
Venezuelan fiesta in London- 30/01/2010
Vamos a rumbear! The Venezuelan community in England will be fleeing from the chilly weather and heading off to London's Abbey Bar on Saturday, 30 January, for the first big, sweaty fiesta of the year.
With DJ Hernan Atencio spinning the hottest tropical tunes, Ron Santa Teresa providing the rum cocktails and Arepa & Co serving up typical snacks like arepitas and tequeños, Venezuelan partygoers can look forward to a big night out.
The party is being organized by Venenin (Venezolanos en Inglaterra), a social group that caters for Venezuelan expatriates in the UK, and a big crowd is expected.
Doors open at 9 p.m. and hardcore revellers can dance their way thru to 4 a.m. Admission is £7 before 11 p.m. and £10 after.
Abbey Bar is located in the City of London at 30-33 Minories, a short stroll from Tower Hill or Aldgate tube stations.
For more information go to http://www.venenin.co.uk or check out the Venenin page on Facebook.
Sunday, October 28, 2007
Musica Llanera: Ta' Pegao
This is a "joropo central", which has a slightly different structure than the better known "joropo llanero", the national music of Venezuela. The best thing about this video clip, taken from a local fiesta in San Sebastian de Los Reyes, an important cattle-ranching town in Aragua State, is it shows the music in context, at a dance, with people of all ages enjoying the festive atmosphere and joining in. The instruments provoking all this merriment are a pair of maracas played by the singer and a steel-stringed harp, known as an "arpa tuyera" or Tuy Valley harp. Give it a few minutes to warm up and check out the footstomping as the dancers start to get jiggy with it.
Tuesday, October 9, 2007
Tambores in Chuao
This is a good introduction to Venezuelan tambores music. The two guys on the ground are playing cumaco drums made from hollowed avocado tree trunks with deer or cowhide skins. Behind them are two other drummers playing on the trunks with hard sticks called "palillos" or "laures" that give the distinctive taca-ta-taca-ta sound that drives the dancing. The singer or cantor is accompanied by a chorus, as is typical with Afro-Caribbean call and response drum music. The male dancers try and get as close as they can to the muchachitas, while the ladies spin away to avoid them. Anybody, male or female, can cut in at any time and take over. Tambores is popular in all the old plantation towns along the coast and harks back to slave days. Chuao is a historic plantation where Venezuela's finest cocoa beans are produced. It is reached by sea from Choroni .
Read the article - Chuao: In Search of World's Finest Cocoa Beans
Read the article - Choroni: Tambores, guarapita and midnight dips
